me everytime a character in a movie has to get a few drops of their blood for some ritual bullshit (via jtoday)
WHILE WE’RE AT IT, why do people try to cross those skinny bridges over lava/chasms/whatever by walking upright. IT’S CALLED CENTER OF GRAVITY. get on your hands and knees and crawl across that thing. HUG IT. SCOOT YOUR BUTT ACROSS. “but i look stupid!” lalalala but we’ll avoid that ~dramatic moment~ where you almost fall over and die because your damn fucking self wanted to look COOL
and stop yanking IV lines out of your arms the minute you wake up in the hospital
That is a broadsword, why are you fencing with it
There is a freaking door right there. Stop smashing through windows, damn it.
yes, mr. action hero, I am aware that running dramatically from the baddies at breakneck speed is important, but know what else is important? NOT GETTING SHOT. RUN IN A FUCKING ZIGZAG PATTERN ON THE OFF CHANCE THAT THE MOOKS WERE NOT COACHED IN MARKSMANSHIP BY THE IMPERIAL STORMTROOPERS.
Oh, hey, you there, sneaky hero-type breaking into any place for any reason? WEAR SOME FUCKING GLOVES. They’re called fingerprints, dumbass. You have them and you’re putting them all over the fucking place.
If something really fucking huge is falling on you, don’t FUCKING RUN ALONG THE LENGTH JUST TAKE LIKE TWO FUCKING STEPS TO THE SIDE
wEAR A FUCKING HELMET OBERYN YOU LITTLE SHIT
did you know when you suddenly jerk awake while falling asleep, another version of you from a different timeline just died
This post fucked me up.
It’s actually because you’re heart rate decreased so quickly that you’re brain jerks you awake to make sure you’re still alive.
i dont know wHICH ONE IS WORSE
There are basically two ways you can start a story. You can have all guns blazing action or you can establish the ordinary world of the character before things change.
Both approaches have their pros and cons and a lot of it depends on various factors to do with your story and what you consider to be right for you as a writer. But the problem comes when you show your first chapter to someone else and they don’t react in the way you’d hoped, making you lose confidence in what you had thought to be quite a good scene that set things up nicely.
Questions arise such as maybe the other approach would be better for this story, for this genre, for you as a writer. But the truth is these are the wrong questions. So if the start of your story isn’t attracting the kind of response you want, what are the questions you should be asking yourself?